My answer to this question will come shortly, but first let’s consider some issues commonly found in answering this question.
It is often heard that you should not put your piano near a window. This rule of thumb was more true say in 1917 than in 2017. Windows in 1917 did not seal as tightly as modern windows do and homes were much less air tight, particularly around windows. Subsequently, there was more air movement and climate variability nearer the windows than on the inside walls. While the inside wall may still be more stable today, the difference is pretty negligible.
However, sun light, whether it is from 1917 or 2017 is pretty hard on a piano. But in 1917 you were much more likely to have heavy drapes around the windows both to dampen the air movement and block out excess sunlight. Today, we just let the sun pore in, we even will put in sky lights if possible. All of this high powered light will heat your piano, especially the ubiquitous black pianos, causing as much tuning instability as the 1917 walls and windows. Sun light will also fade the color out of any wood finished furniture and flooring.
What about the basement family entertainment area? Modern basements are certainly drier than those found in older homes however by their very nature the humidity levels are higher, sometimes much higher than those found on upper levels of the home. I have a friend who has a newer home and his basement flooded in this spring’s heavy rains. He was able to get his guitars out of his basement, but if his piano has been there he would have lost it. As a general rule I would assume any piano which has been in a basement for more than two years as little to no economic value left. Yes, some will still be fine, but most suffer from mold and animal and insect infestations you can’t see from the outside.
Some modern homes with open floor plans will have large sitting areas on their second floors which make for great, out of the way, places for their pianos. Don’t try to do this on your own! That turn you walk so easily through every day can be nearly impossible for a 500 pound upright to navigate except on its side. Heavy pianos will also destroy those beautiful wood stairs you just had refinished. Let the professionals do it and don’t just go with the cheapest quote, pay the extra for the best movers in town.
OK, so sunlight is bad, windows, as long as they are shut are less bad, and basements are deadly, where can I put my piano?
Where ever you want to! My first rule on piano placement and use is to enjoy it! I can fix everything else. If you like to play by the windows flung wide open in your 100 year old, original condition house, go for it! I personally love to play with the windows open and fresh air flowing all around me. You just may want to tune your piano more often, that is all. If your kids love to jam in the basement with their friends and the pianos gets all moldy, so what! Who would trade that experience for anything?
Put your piano where ever you want and enjoy it for the rest of your life, otherwise why bother.
The life expectancy of a piano is a difficult concept for most people to fully understand. With prices usually falling within the range of an automobile, most people think in terms of the life expectancy of a car, plus maybe a little. I have had people say of a 10 year old piano: “It is getting pretty old isn’t it?” If this were a car, certainly we are closer to the end than the beginning.
So how long will a piano last? Let’s start by assuming a reasonably normal home setting, where a couple of the kids take a couple years of lessons and one takes 10 years of lessons and actually gets to some early advanced music. The top of the piano is used to display family pictures and the bench is used to hold years worth of completed music books.
Well, our bench is deteriorating rapidly and our piano is still in nearly like new condition. And we are only 10 years old. For the next ten years the pianos sits in the living room untouched except for an occasional holiday visit from the kids.
Keep in mind that the family has probably had three or four primary cars over this time period. And still the original piano sits in the living room.
After 20 years is usually when the piano will go into motion. Mom and Dad want it out of the house. If one of the kids wants it; they get it. If not, it gets sold to another family. Hopefully it will be moved by professional piano movers!
And the story is repeated. Typically, a piano will stay in a home for a generation. It is very rare to find used pianos less than 20 years old, because most are still in their original homes. Most 20 year pianos have had only a half dozen years of moderate playing on them. After two generations, we may only have had 10 years of steady use out of a 40 year age. There are certainly exceptions, some pianos receive very hard playing over decades and show great wear from this use; others virtually none.
So back to our question: How long will my piano last?
A great way to think of this is in terms of a home. When a home is brand new, the first couple of years are spent dealing with the various odd problems which may crop up. After that a home may be trouble free for decades.
If only two people live in the house and they are gentle in its use, things will wear out only very slowly. On the other hand if a large family of teenagers move in, the house is likely to wear much faster; the carpets wear out faster, the doors break sooner, and so on.
With reasonable care and normal wear, a house should last many generations. Certainly, at some point a portion or all of it may be rebuilt (just like a piano).
So, how long will your piano last? It depends on how much use and the type of use it receives. If the use is gentle it will last for generations; 60 – 80 years. If the use is heavier; it could last only 40 – 60 years before it will need to be replaced or rebuilt.
So a 10 year old piano in a normal use environment is a young child. A 20 year old piano is a very young adult with its best years ahead. A 40 year old piano is starting to show it age a bit (aren’t we all). A 60 year old piano is getting a little tired and may need a very thorough examination to determine its health. And an 80 year piano is in need of replacement or rebuilding.
“I just inherited Grandma’s grand piano. Her parents bought it for her when she was just 10. My mom also learned on it and so did I. I would love for my daughter to play it. But it is in such bad shape. The last tuner said he couldn’t tune it. Is there anything you can do?” So goes a typical phone call into our rebuilding shop. Sentimental value aside, how do we decide what is the best approach to these family heirlooms. Sometimes, money isn’t an object, but more often we need to figure out how to recreate a musical instrument inside a very dead carcass within a limited budget.
There are several hundred manufactures of pianos from the early twentieth century, some were cheaply made and it is a wonder they are still standing after a hundred years or more. And there is surprising number of completely unknown brands who were carefully manufactured; representing the great craftsmanship and abundant natural materials present in our country back then.
How can you tell if the dead piano in front of you can be rebuilt to service many more generations or should be sent to its final resting place? As a rebuilder of pianos there are certain structural elements I need to make for an effective rebuilding project especially if we are going to keep costs under control. Though it is possible to take a substandard structure and stiffen the frame, redesign a new soundboard, and redesign the action with brand new keys, the costs will add up extremely fast.
Some of the superficial elements anybody can see are such things as a substantial set of struts under the soundboard. These provide the structural support and stiffness to the frame. I have added these in some projects; this can be a costly, but important part of the rebuilding of a lesser instrument.
Another consideration is length, the longer the better. Small pianos are loaded with compromises in the scale and design. Once you cross the 6’ size these compromises become less noticeable even on lesser pianos.
The presence of agraffes through about 60% of the strings also suggests a better designed piano. Agraffes are located at the string termination closest to the player marking the near end of the speaking length of the string. Agraffes are made of brass and cost more to use than just a big piece of cast iron found on cheaper pianos. (Though some manufactures such as Chickering Bros (not Son’s) from Chicago developed a pretty sophisticated improvement in the big hunk of cast iron design.)
I really don’t care about what is covering the keys, but it is very helpful if the key stick is in good condition. If more than one or two keys have broken at some time, we really need to consider a new key set. If the wood used, the angle the keys were cut, or the angle of the grain were such that a few keys have broken, then this will be a very unreliable set of keys, prone to ever more breakage in coming years. A new key set can cost between $4,000 and $5,000. They can be well worth it, but it is an expense which is best to avoid if possible.
Every piano has a unique situation. In most cases, we are able to breathe new life into your old piano. Remember – it’s what we do! So if you’re ready to revive Grandma’s old piano or are curious about pricing out a fix-up, don’t hesitate to ask!
Ever wonder why some pianos say “play me” and others, well, you can’t imagine why anybody would ever want to play them?
Even if a piano action is regulated to an absolute perfection there can still be unevenness from one note to another. Regulation refers to the correct mechanical settings for various functions to occur, but it does not take into account one very important criteria to a smooth and even touch. The weight of various components has a profound impact on the touch of a piano. If you were to weigh each hammer and chart the results you would have a picture closely resembling the movement of the stock market!
How could the touch be even when one hammer weighs 1 gram more than its neighbor? You might think that one gram is not that big of deal, in fact you are right. A gram is equivalent to 2 ½ medium paper clips. Yet when that small amount of weight is acted upon by the leverages found in a piano action it becomes at least 5 grams at the end of the key.
With the typical down weight (the weight needed to depress the key with the damper pedal depressed) about 50 grams, a 5 gram difference represents a 10% variation! That is noticeable.
Difference in hammer weight also has a profound effect on the tone a hammer generates. All things being equal, a heavier hammer produces a darker, mellower tone and lighter hammers will give you a brighter tone.
All weight variations are evened out when a Custom Action Balancing is performed. In addition to hammer weight variations, key weights are also evened out and all leverage problems and inconsistencies are corrected. If you would like your piano to say “Play me” give me a call at 630-852-5058.
Like me on Facebook
- The last I heard, Linda is still there! I am not sure what...January 14, 2022 - 8:36 am by Andrew
- My wife and I remember with fondness our years in Bad Axe,...January 7, 2022 - 7:11 am by Dively
- […] of hymns: “Thou didst leave thy throne”...December 4, 2021 - 8:25 am by Beloved Christmas carols: Thou didst leave thy throne - Musicology for Everyone
- LOL, yes, you are right!August 4, 2021 - 7:40 pm by Andrew
- About this Blog
- Complete List of Playlists
- Complete Recording List Links
- Hymn History Article List
- Hymn Recording List A
- Hymn Recording List B – C
- Hymn Recording List D – G
- Hymn Recording List H
- Hymn Recording List I
- Hymn Recording List J – L
- Hymn Recording List M -N
- Hymn Recording List O
- Hymn Recording List P – S
- Hymn Recording List Sorted by Tune Name A
- Hymn Recording List Sorted by Tune Name B
- Hymn Recording List Sorted by Tune Name C – D
- Hymn Recording List Sorted by Tune Name E – F
- Hymn Recording List Sorted by Tune Name G – H
- Hymn Recording List Sorted by Tune Name I – L
- Hymn Recording List Sorted by Tune Name M – N
- Hymn Recording List Sorted by Tune Name O – R
- Hymn Recording List Sorted by Tune Name S
- Hymn Recording List Sorted by Tune Name T – U
- Hymn Recording List Sorted by Tune Name V – Z
- Hymn Recording List T
- Hymn Recording List U – Z
- Resource Suggestions – Educational Material for Children
- Resource Suggestions – Gift Ideas
- Resource Suggestions – Hymnals
- Resource Suggestions – Hymns and Their Histories
- Resource Suggestions – Learning to Play Hymns
- Resource Suggestions – Solo Classical Piano Music
- Resource Suggestions, Master List
- Resource Suggestions: Musician Biographies
- Resource Suggestions: Piano Lamps by Koncept
- Solo Piano Music
- The Hymns of Anne Steele
- The Hymns of Augustus Toplady
- The Hymns of Charles Wesley
- The Hymns of Fanny Crosby
- The Hymns of Frances Ridley Havergal
- The Hymns of Horatius Bonar
- The Hymns of Isaac Watts
- The Hymns of James Montgomery
- The Hymns of Jared Bernotski
- The Hymns of Joachim Neander
- The Hymns of John Bacchus Dykes
- The Hymns of John Newton
- The Hymns of Linda Bonney Olin
- The Hymns of Lowell Mason
- The Hymns of Ruth A Coberly
- The Hymns of Thomas Kelly
- The Hymns of William Cowper
- YouTube Gallery